No, that is on me. I uploaded the wrong versions and then just hastly demanded delation and reuploaded the right ones. Next time, I'll just edit it, it was a overhastly quick decision.
I think that all depends on what you're trying to convey. I like the harsh contrasts here, but they're defintly not right for every mood. If you wanna explore that style more, you could try to challange yourself and write a piece of music that is as contempt as can be without being boring. Something more serene. I think the important thing is that there is some connecting element and you got that with that theme from the beginning, that keeps on reoccuring.
Did you really just start working on that after listening to my track? That means you're very, very fast :D That it inself is pretty impressive. I like you're work of different contrasts. (I especilly like the part were the tuba plays and then the whole orchestra follows and it repaets itself) Some melodies of yours are better then others in this track. But overall that is pretty impressive and the orchestration is also pretty creative, my first orchestral tracks were really terrible with orchestration. If I can give you a generell tip regarding staccato samples though: Have every other note a bit quiter and always the one the strongest and loudest regarding velocity. It is hell to programm that, but it sounds waaay better. If you wanna keep doing stuff in that style, I can recommend you this forum http://scoringcentral.mattiaswestlund.net/ There I learned a lot about that stuff and the community is very helpful and they also give tips on where to find good samples :)
Cheers!
If you need more specific input, I can give it a relisten.
Thanks, Amac :)
Wow that looks amazing, I really like the detail you put into potraying the decay.
Thank you, TAD :)
Thanks :)
No, that is on me. I uploaded the wrong versions and then just hastly demanded delation and reuploaded the right ones. Next time, I'll just edit it, it was a overhastly quick decision.
That is great. You're not just a good composer, but a superb mixer, I never get this kind of mixes right, jesus how did you do it?
Thanks guys :) Hard work and crippling self doubt go a long way :D
Yeah sounds good, go for it :) I'm looking forward to hearing the results.
I think that all depends on what you're trying to convey. I like the harsh contrasts here, but they're defintly not right for every mood. If you wanna explore that style more, you could try to challange yourself and write a piece of music that is as contempt as can be without being boring. Something more serene. I think the important thing is that there is some connecting element and you got that with that theme from the beginning, that keeps on reoccuring.
Did you really just start working on that after listening to my track? That means you're very, very fast :D That it inself is pretty impressive. I like you're work of different contrasts. (I especilly like the part were the tuba plays and then the whole orchestra follows and it repaets itself) Some melodies of yours are better then others in this track. But overall that is pretty impressive and the orchestration is also pretty creative, my first orchestral tracks were really terrible with orchestration. If I can give you a generell tip regarding staccato samples though: Have every other note a bit quiter and always the one the strongest and loudest regarding velocity. It is hell to programm that, but it sounds waaay better. If you wanna keep doing stuff in that style, I can recommend you this forum http://scoringcentral.mattiaswestlund.net/ There I learned a lot about that stuff and the community is very helpful and they also give tips on where to find good samples :)
Cheers!
If you need more specific input, I can give it a relisten.
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